All Episodes

#70 Becoming Your Own Boss | Steph Cullen

#69 Props Fabricator for Film & TV | Eric Anthony

10 Days until our Virtual Mixer!

#68 Skipping Film School Indie Writer/Director | Nick Richey

#67 Becoming a Freelance Producer | Bryan Fellows

#66 Becoming a Set Designer for TV & Feature Films | Cece Destefano

#65 Intro to Wardrobe Dept | Ashley Heathcock

#64 Journey From Filmmaking To Commercial Photography | Lanewood Studio

#63 How to get started as a DP | Bryan Fowler

#62 Creating Worlds in Art Department | Clifton Chandler

#61 Funding and Distribution for Low Budget Features | Anthony Hackett

Summer Hiatus

#60 Blending Commercial Work and Narrative Filmmaking

#59 Script Breakdown & Schedule Service Filmustage | Ruslan K

Post Production Push | Sydney Tooley Part 4

#58 Working with an International Crew | Sydney Tooley Part 3

Gear n' Gadget - The Cream Source Vortex 8 vs. SkyPanel S60-C: Which light should I use?

#57 First Feature Film | Panel Discussion

Gear n' Gadget - Nanlux Evoke 1200 or Arri M18: What should I get?

#56 How To Get An Editing Gig | John Quinn

Gear n' Gadget - Mega Silent Generator

#55 Everything Is Going To Be Okay | Sydney Tooley part 2

Gear n Gadgets - CRLS Lightbridge, Alpha 18

#54 Action Sports Cinematographer | Ben Dann

Gear n' Gadget - Lightbridge CRLS Reflector Teaser Review

#53 Navigating Distribution | Aj Martinson

Gear n' Gadgets - Gear for Filming Animals Undisturbed | Alex Goetz

#52 Producing a Micro Budget Film | Geoff Quan

Gear n' Gadget - Vehicle Village Set Up

#51 How to Launch a Commercial Filmmaking Company | Erik Harty

Gear n' Gadget - Easy Live Streaming with the Mini Extreme ISO

#50 Wildlife Filmmaking | Alex Goetz

Gear n' Gadget - How can we help you become a better filmmaker?

#49 Pulling Back Curtain on Commercial Filmmaking | David Mancao

Gear n' Gadget - Set Your Production Apart With Streaming

My adoption story and what it has to do with YOU

Gear n' Gadget - Arri M40 Light Unit

#48 How To Become A Studio Executive at Netflix | Noelle Green

Gear n' Gadget - Grip Van: Nissan NV 200

#47 Action Sports Filmmaking | Justin Fann

Thanks! + Next Week Teaser

Gear n' Gadget - Kurve 6 Kit Review

#46 Preparation Meets Opportunity | Jennifer "Jedon" Hatcher & Monique C. Shaw

#45 Experimental Filmmaking | Leslie Foster

Virtual Mixer | The Practical Filmmaker

#44 Benefits From Joining the Union | Saul Cervantes

Gear n' Gadget - SmallRig mounting plates for Canon C70, do you really need a full cage?

#43 Best Of: Healthy Boundaries On The Set Of Jack Ryan | Korey Pollard

Gear n' Gadget - Are the Astera NYX bulbs worth the extra money over the Aputure B7c?

#42 A Guide to Starting as a PA | BJ Pasinger

Gear n' Gadget - Nanlux Dyno Series 650 C Review

#41 Hacks for Getting Ahead When Starting Out

Gear n' Gadgets - Men's Grooming Kit Must-Haves

#40 Guest Podcast Zack Arnold Optimize Yourself Podcast

Gear n' Gadgets - Wigs That Stick

#39 Directorial Debut | Part 1 with Sydney Tooley

Gear n' Gadgets - Zaxcom Nova Audio Recording

#38 Previs Artist for Avatar | Jim Turner

Gear n' Gadgets - Custom Designs with Cricut

#37 - Behind the Podcast | Tanya Musgrave

Gear n' Gadgets - Lighting Gear

#36 Filming a Crisis | Tim Wolfer

Gear n' Gadgets - Art Departments Best Friend

#35 How To Become A Filmtreprenuer | Alex Ferrari Indie Film Hustle

Gear n' Gadgets - Save Time With E-Signatures

#34 Airborne Cinematography for Deadliest Catch | David Alan Arnold

Gear n' Gadgets - Create Amazing Sets

#33 Not All Corporate Gigs Suck | Blaise Douros

Gear n' Gadgets - Old Gear New Tricks

#32 Star Wars and Micro Budget Films | Eric Jewett

Gear 'n Gadgets LiteMat 4

#31 Shoot Your Shot | Julio Zepeda

Gear 'n Gadgets - Digital Sputnik DS6 LED Modular Light System

#30 Skipping Film School | Mike Wilds

Gear 'n Gadgets - NVMe Hard Drive Review

Best Mics From an Emmy Winning Composer

#29 Never Apologize For Excellence | Dan Brown Jr.

Gear 'n Gadgets: Bennet Self (G&E)

Gear 'n Gadgets: Arthur Anderson

#28 Keeping the Tension | Arthur Anderson

Farewell There to Here - Hello Practical Filmmaker!

#27 Taylor Morden, Director and Producer: The Last Blockbuster

#26 ATL-based Actor from Netflix's "The Liberator"| José Miguel Vásquez

#25 Inside Reality TV Production: What it’s Like to Work With Unscripted Content | Maegan Philmore Interview

#24 The Role of Location Managers in Film & TV Production | Kyle Hinshaw

#23 Managing Client Expectations | Lucas Tanaka Interview

#22 How To Stay Safe on Set Amid COVID | Jill Maxcy Interview

#21 How Product Placement Works in Film Production | Tami Cooper Interview

#20 How to sell your film | Ross Putman Interview

#19- The Walking Dead Executive Producer & Director | Greg Nicotero Interview

#18 - Zack Arnold: Work-Life Balance in the Industry

There to Here: Film & Media Podcast Trailer

#17-Matt Hadley – Shooting During COVID

#16- Jorge Garcia Castro – How To Sell Your Film

#15 - Ryan Dixon - Indie writing vs. Studio writing

#14- Jennifer Bender: How Working as a Background Extra Can Be Your Ticket Into the Industry

#13- Cory Maracle - Ferns and flowerpots will save you so many times as a set dresser

#12- Matt Birch - Should I have an agent or a manager?

#11- Raul Martin Romero - What's a Script Coordinator and how do writer's rooms work?

#10- Ralph Winter - Big Budget studio films vs micro-budget indie: The elements present in both

#9-Mike Wagner - Below The Line Agent

#8- Jason Roberts - Line Producer/Assistant Director, D.G.A.

#7- Kevin Olusola - Pentatonix

#6- How are small production companies surviving Covid?

#5- Mellinda Hensley - Inside a writer's room for daytime television

#4- Korey Pollard - Healthy boundaries in the entertainment industry

#3- Daryl Gungadoo - VR Pioneer

#2- David George - Cinematographer - Transitioning to Freelance

#1- Tom Wentworth - Executive Producer at NBC Partnership Group