WeeklyBeats.com - Music RSS Feed

last minute pivot, LOOK OUT! XO, jwh 2026 Copyright All rights reserved

woohoo! 2026 CC Attribution Share Alike (BY-SA)

This is attempt two at Melodic Techno after last week's fail. › Prod notes‹ Prod notes To me, this feels closer to the target genre even though it still falls short in some genre staples (like super weak call and response "robots talking" for example). It was an especially taxing week at work with extra early mornings. I had this session open a few evenings as we watched TV for what felt like a good chunk of hours in total, but 70% of that must have been me slowly falling asleep with the cursor key pressed down and scrolling down a preset list as I was searching for sounds! I think if I had spent a little more time on the track I could have gotten it there. It doesn't feel like as much of a mystery anymore. I'll take a break from this genre now and excited to try to do something on the M8 again for w34. Things I wish I had gotten to: - I really wanted to get better cohesion in the melodies. It sounds like what it is now: a few different variations on one idea, but wasn’t able to quickly get that to sit together well. - So many of the transitions between sections and buildups are clumsy. - Not that I ever get as far as real automation passes, but I feel like techno genres really need a lot of that and this only has a few very simple volume tweaks as far as I remember. I submitted without checking the mix @ 4:59 pst as tradition demands. When I listened back to it I found too much stuff to fix, but I uploaded a version with some tweaks: HERE (Samply) 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Silly experiment using Prophet VS waves and Ableton Sampler. I've never been quite a wavetable guy, so I automated changes so every note was a different wave. Almost no time for music, just firefighting. Lots of love to you, WB family !!! 2026 CC Attribution Share Alike (BY-SA)

Written entirely on Dirtywave M8 Tracker Light mastering in Audacity (normalizing/limiting/compressing). A continuation of last week's track's outro, whose intro was the previous week's outro, whose intro was the previous week's outro, whose... This track is thus part of an ongoing series started in week 4, you can listen to the Through the Year mix (WB #4-33) (as of week 33, it is 59 minutes long). First and foremost, this track was done this time with the secret collaboration of... NickLong! Nick graciously provided the stems of his track Cumbia Fado, after I left him a comment that I "would love to do a meaner remix of this". This counts as the first time I've done a real remix like this. Usually I would just sample a song, taking little snippets and ignoring the harmony or structure of the original track. Here, the goal was to stay close to the original material and be more obvious, making it recognizable to listeners familiar with Nick's track. And boy, how hard it was! Doing this felt like walking knee-deep in mud, not that the track wasn't inspiring, but because staying faithful to a track and trying to make it yours can be a daunting task, but in the end it taught me a lot. Nick, thank you very much for this opportunity, your trust and your support each day I showed you how the track was progressing. I hope this track will do your track justice. 🙏 This week was part 1 of the fourth(!) unofficial WB friendly sample challenge (details on Discord): sample gathering week. Next week (#34), anyone will be welcome to compose with the aforementioned samples gathered by 10 awesome WB contributors! Sample from previous friendly sample challenge that was used, contributor shoutout: - Endojo (Bass Bow) M8 bundle PS: stay tuned for next week, another great collab might see the light of day! 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

2026 Copyright All rights reserved

// i'm an alien in the machine // what do you mean? // // mix of found sounds, granulator iii, serum 2, lorre mill double knot, elektron syntakt, and ableton effects // // arranged in ableton // 2026 Copyright All rights reserved

they go bAKC and forth between my liuttle machines 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

It's a stubborn little one. OP-1 Field drums with the phone effect, sampled into M8. Tried to riff off the unruly glitch sounds. Then Trash80 dropped an M8 firmware beta with a couple new Hypersynth oscillator shapes, so I gave those a spin. A hint of mastering in Logic to finish it proper. › Woof‹ WoofI'm currently staying at my partner's parents' house. We're visiting for a local festival in my old hometown. It's the one time of year when everyone that has a connection to the town comes back together. The neighbor here has a little Jack Russell puppy. A super cute little doggo but also as unruly as a Jack Russell pup can be. We went over for a barbecue, and it kept trying to eat things off the table, licking the tongs, begging for food, begging for hugs, biting shoes, running around barking, just being a totally saucy dog. Download the M8 bundle (requires latest beta) 2026 CC Attribution Noncommercial (BY-NC)

Another jungle tune for the summer. Thanks for listening! 2026 Copyright All rights reserved

Simple one this week, totally didn't forget it was Sunday. 2026 CC Attribution Share Alike (BY-SA)

Struggled to come up with a lyric idea this week. Usually base them off things I've done so this is another one vaguely about sailing. › lyrics‹ lyricsVerse 1 Drifting towards the horizon The shorline is elusive humidity is rising Sweat on my face, crusing the straits Feel like I’m living lucid When it pulls its surprising Moving through, you see it true The salt is crystalizing one word makes it hard to navigate, when I wonder why I lie wide awake To drift is to be human Chorus I want more I want to find the shore › idea and narrative‹ idea and narrativeWorking with the word lucid as a seed word. Instrumental is an acoustic jam that just pedals on A. Marching snare. Driving but kinda wandering and weirdly dreamy. › scratch notes‹ scratch noteshuman music stupid elusive excuses losing new kid grid, prove it Tighten silver edge arising crystalizing navigate, wide awake, › object writing‹ object writingSlightly sticky. A bit uncomfortably warm. Sweat underneath the life jacket and the fabric of the hat soaking in. Slight bobbing and forward momentum. The whirr of the electric motor followed by silence as the sails are hoisted. The changes of angle and speed in the boat can be felt with the whole body as the wind goes up and down. Relief from the heat with a quick gust and then return of the sweat with a lull. Hoisting the spinnaker is a pleasant reprieve. Lots of work running tapes and hoisting to get it up. But, once its up, a pleasant sense of harnessing everything that’s available in the air to propel forward. The buzz of random watercraft going by can be heard or felt. Seeing becomes subtly and slowly more difficult as the sun recedes below the horizon. › song history‹ song history## Summary The song is currently a one‑chord, A‑pedal acoustic jam seeded around the word "lucid" with a marching‑snare feel; it was created 8/16/2026 (11:45 AM) and saw concentrated lyric work the evening of 8/16/2026 (5:50–7:15 PM). Over those edits the text moved from terse landscape statements into more tactile, navigational sea/heat imagery and tightened a repeated navigation line; the elusive target shifted repeatedly (destination → i → island → shoreline). The working verse and chorus state (truncated) as of 7:14 PM: > Drifting towards the horizon  > The shorline is elusive  > humidity is rising  > Sweat on my face, crusing the straits  > Feel like I’m living lucid > > When it pulls its surprising  > Moving through, you see it true  > The salt is crystalizing  > one word makes it hard to navigate, when I wonder why I lie wide awake  > To drift is to be human > > I want more  > I want to find the shore ## Writing Sessions 1) 5:50–6:11 PM — Initial reframing and atmosphere - At 5:50 PM a line was rephrased from a passive statement to a present participle motion: > The horizon drifts > > Drifting towards the horizon - At 6:07 PM a different evasive target phrasing replaced an earlier line: > Reprieve is elusive. > > The destination is elusive - At 6:11 PM a new tactile/ambient line was added: > The humidity is rising 2) 6:22–6:35 PM — Navigation motif and structural label change; bodily/sea details - Around 6:22 several navigation and human/drift lines were added: > Don't be shy, navigate  > wide awake > > Can't float on your excuses  > To drift is to be human - At 6:23 a structural label in the file was changed from a generic "Chorus" to "Verse 1". - At 6:25 the "wide awake" fragment was expanded and the file reintroduced the "Chorus" label (later edits continue to refine these lines): > Through the mist be wide awake - Between 6:28 and 6:32 added and then modified bodily/sea images: > Moving through, you see it truer > > Sweat on my face - Later that same minute the sweat line was extended and a new fragment was added: > Sweat on my face, crusing the straits  > When it pulls its surprising - By 6:33–6:35 the navigation line was punctuated and then combined/altered, and a salt/crystallization image was added: > Don't be shy, navigate. > > Don't be shy, navigate, wide awake > > The salt is crystalizing  > Don't be shy, navigate, life wide awake 3) 7:07–7:15 PM — Serial target edits, tightening phrasing, and chorus lines added - Between 7:07 and 7:08 the evasive target line was edited repeatedly in short succession: > The destination is elusive > > The i is elusive > > The island is elusive > > The shorline is elusive - At 7:08 the earlier humidity line was lowercased in the file to: > humidity is rising - At 7:10 a minor tightening adjusted comparative phrasing: > Moving through, you see it truer > > Moving through, you see it true - At 7:12 a longer navigation/awake line replaced the earlier compact navigation phrase: > Don't be shy, navigate, life wide awake > > one word makes it hard to navigate, when I wonder why I lie wide awake - At 7:15 two short chorus lines were added as the existing chorus content: > I want more  > I want to find the shore End state (7:14–7:15 PM snapshot) is the verse with sea/heat imagery, the inserted "Feel like I’m living lucid" line in the verse, the reflexive navigation/awake line, and a two‑line chorus expressing desire to find the shore. Created with Lyrium (I made this app, bbcode export with hosted images is built in) 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Theme for a magic-using thief, particularly of the demon-binding, dead-raising variety. Made on my Dirtywave M8. For this one, I tried to restrict myself to LSDJ-like contraints: two pulse waves, one triangle, and one noise channel. I have never used LSDJ before and am quite nervous trying to imitate it among maybe the biggest group of its experts, but I hope it's at least fun! This was also made as part of the M8 Community Jam, with the theme "Sorcerer" and the optional challenge to create or sample a silly villain song 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

Rough stuff left rough, because this week has been about learning my Push 3! This piece was written pretty much entirely on the Push 3, with some tiny touch-ups on the computer, but otherwise tried to be somewhat of a purist for the sake of the exercise. Of course the first thing I do is try to see how "big" I can make the (not really) little tablet feel, and so I drown it in reverb. Also went a little theramin-y with it, since those pads are so fun to play in that way. Not a super cohesive or harmonically cleaned-up piece, but I guess that's the struggle to overcome with a groovebox-y type device? All in all, very powerful toy, a little unwieldy for composition, but I can see it being a lot of fun to perform on! 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Starting my vacation, getting back to working in DAW, jamming with my bro who did bass here. Feeling sleepy two cans of redbull didn't help much, and it's time to get into trackers but I didn't get my gameboy with me X) 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

I slept most of today so this week's beat is kinda random...I remember last week someone suggested to write a song in 3 for week 33, so parts of it is in 3. I'm seriously considering starting WB on a day that is not Sunday XD 2026 CC Attribution Noncommercial (BY-NC)

I'm not entirely sure what this song is. It started as a synthwave track, then went to a breaky ambient track, then to a house track, then back to a breaky track, so... it's a lot of things, all of them which I like. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

My external hard drive crashed during the video editing process but gratefully came back online after giving it some time.  That's why the video is ultra late! LYRICS: every time i walk into a room i see a bunch of junk that i should throw away every time i think of what to do i have a hundred things left from another day i don’t think i’m lazy i just need help but i don’t trust anyone i gotta do it myself i know that sounds crazy when said aloud i don’t have to struggle but i don’t know how you got all this talent you got all this time but are you successful? every time i walk into a room i see a bunch of junk that i should throw away every time i think of what to do i have a hundred things left from another day you make too much music you stay up too late you eat too much junk food you’re obsessed with weight you can’t solve their problems you can’t solve your own you can’t make new friends when you don’t leave home i got all this talent i got all this time but am i successful? every time i walk into a room i see a bunch of junk that i should throw away every time i think of what to do i have a hundred things left from another day 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

I barely had time this week on account of family time and travels through Spain. But I woke up with an idea regarding a chord or bass progression that progressively added an extra beat. I noodled around on piano and recorded the idea with my phone, thinking I'd get to it eventually, but decided to pull in and sample my own recording, using single chord hits to make it sound more precise. It's a 4 chord progression of 5-6-7-8 beats each. Possibly a compound meter of 26/4 as 5+6+7+8? Who knows. Added some synth bass and synth leads as well. Drums mostly from splice but I programmed the kick and hat-pattern to accent the 5+6+7+8 grouping. Then I over did the FX on master. This was fun, but ran out of time and I'll probably hate it tomorrow. Seems to make sense as part of my mathy 'X-tronica' series. * Drums from Splice + Ableton * Bass - Synth bass from Ableton * Synths from Ableton Wavetable * Piano / main sample recorded on phone, chopped using Ableton simpler * Gullfoss and Ozone Elements 10 for mastering Total time: 2 hours, 45 minutes 2026 Copyright All rights reserved

Dirty Chip Loop 2026 CC Attribution Share Alike (BY-SA)

Thanks to Barrister Plong for the....inspiration. Everything was made in Logic. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

I dunno, some random meandering :) I don't really like some of the transitions, but I do like the variety and melodies. 2026 CC Attribution Share Alike (BY-SA)

First song recorded on my new setup, a Zoom L-20, which I'm still figuring out the ideosyncracies of. I feel like the preamps are a bit weird in comparison to my previous recorder, the Zoom HD-16, where everything sounded exactly like what I was expecting - with the L-20 I feel like the midrange is maybe a bit hollow? Or maybe there's some setting up I need to do to get it right. Several ideas here, but I think I needed to work on all of them more. My mix is a bit wonky (which I'll only partially blame on new equipment), my composition doesn't use its parts as well as it could, structure is pretty haphazard, etc. I'll try again with some of these ideas probably and hopefully do a better job. Key idea for me was that I wanted to make something a bit Wax Trax!-ish, and to that end my core drum samples were taken from a Kawai R-100 that I have barely used but decided to get some recordings from the other day, and my bass is an actual note from my bass that I've sequenced. The bass is super-loud and the drums are kind of hidden and have too much treble bite though, I'm not sure what I did. :/ Eh, I'll try these ideas again, hopefully better. I like my staccato synth bit (from my Prophet 6), but I didn't develop what it does enough. There's a Tonverk bit but it's not developed much either. And the guitar, eh. It doesn't really fit the Wax Trax! vibe, probably should've gone in a different direction. If I'd given myself more time there should be some vocals or samples or something, but I did not! So it goes. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

### Diary and chatter Well hello, my fellow musi-humans! Welcome back to the little weird corner of the internet where I make repetitive chiptune-adjacent music, hahahaha... I'm happy I get to report a couple of victories at work this past week. I was able to convince my superiors to give raises to people on my team and also to extend an offer to an intern. Outside of that, I've just hot my head down and am trying to keep busy. Nothing much to write home about. My wife and I also went to a soccer match yesterday, and that was really fun! Makes me want to go to more sporting events. The banjo and the piano are still going strong. Slowly. Very slowly. But still going. Someday I'll feel comfortable enough to feature some of my banjer playin' in one of these songs, hahahaha... I'm also really excited about an upcoming trip. I'm about to wrap up a Dungeons and Dragons campaign I've been playing with some friends since mid-to-late 2020. Even though we've been playing online for all these years, we're all going to travel to the same location and wrap our campaign up in person during the upcoming long holiday weekend! I'm super stoked! But also kinda terrified because I'm the DM and I've got no clue how to wrap this up, hahahaha... I'm sure it'll be fun regardless of the direction we take, though. I hope y'all have had a great week, folks!!! Cheers!!! ### Production notes This one actually started off as an exercise in trying to better understand the M8's FM Synth. I really like the sound of the Yamaha DX7 "TUB BELL" preset, which is ubiquitous in classic pop & rock music. It's also famous for being the actual source of the Taco Bell chime (Example 1 and Example 2). Anyways, I was having a hard time recreating that sound in the M8, so I made a post on the Dirtywave Discord's Sound Design channel/forum and got the help of a few amazing people, namely kadam (k.aw), ddmm64, and 0x_colt, who helped dial this in really nicely. After that, I just tried experimenting a bit with the sound and, running up against the timer, I just stuck with this and kept developing it until it could be called close to done. The melodic progression here is super simple and matches many (many...) of my other songs, but the lack of time meant reduced experimentation, so I went with what I knew. As usual, the final sections of the song have way too much going on, but I still kinda like it like that, hahahaha...  Also as usual, done entirely on the Dirtywave M8. Oh, I'm also running the new 6.6.0 beta firmware! I didn't make use of any of its exciting new features here, though. Link to M8 Bundle 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

This week I somehow found my way into the deep hypnotic techno rabbit hole — with my usual bad habit of mixing things that probably shouldn’t be mixed. 😅 But this time I really tried to behave and stay reasonably close to the style. I’ve been heavily inspired lately by Rene Wise and the way he builds that dark, stripped-back, hypnotic energy, so his work was definitely somewhere in the back of my head while making this. “Shadows Rise” is a dark and powerful little journey into the more obscure side of things — shadows rising through electronics, heavy grooves, and a slightly unhealthy amount of low end. I had a lot of fun making this one. Actually, I spent less time making the track than trying to master it. 😂 I think I eventually found a good balance. I even had to export the MP3 at -2 dB True Peak, because the MP3 codecs were apparently having a small existential crisis and pushing the final level higher than expected. Anyway… I think I ended up with something big, dark, slightly ridiculous, and quite fun to listen to. I would absolutely dance to this — with commitment and probably very little dignity. 🖤 thank you for listening and tell me what you felt wish you a very good and productive week Track made on logic x 11,1,1 All virtual instruments and samples Bpm -130 C Exported ate 320kbit/s truepeak level -2 42 channels project 2026 Copyright All rights reserved

2026 CC Attribution Noncommercial (BY-NC)

nobody said it had to be varied 🤔 2026 CC Attribution Noncommercial (BY-NC)

grains and manually manipulated a vocal sample after making a nice pad stacked with a nice arp'ed bass. there's some chaotic vectory chops and really the vocal strectched grains are kinda crazy too, but ah well. probably should turn it down. (also lol, now realized after upload it's the same pad i used in wb28. ah well, good pad!) 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Weekend camping getaway on a small lakeside peninsula where my parents often come. Of course, lots of philosophical, or rather psychological discussions with them. Some of that ended up in the lyrics. I didn't rush anything, but I was done with this from start to finish in two hours. Everything recorded live, track by track, the vocals in one single take. Which is good because I urgently need to go to bed now… › Lyrics‹ Lyrics do the work, pick the broken shards up taste the rain, embrace the thunder feel the pain, hear the sullen dogs cry touch the lake, weigh the depth do the work, pick the broken soul up taste the hurt, embrace the trigger feel the pain, hear the hurting kids cry touch the lake, weigh the depth do the love, pick the broken hearts up taste the care, embrace yourself feel the pain, hold the cries in empathy touch the lake, weigh the depth 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

Time for another orchestral piece this week. I'm quite happy with how it turned out! Hope you enjoy :) 2026 CC Attribution Noncommercial (BY-NC)

I managed to use an old Silvertone guitar for this week's song. Someone (I don't know who) purchased it from a Sears department store long before I found it. It's a cool, oversized acoustic guitar but it's just horrible at staying in tune longer than a few minutes. 2026 Copyright All rights reserved

I've been trying to write some music to "fit the vibe" for this September show I have coming up and have been creatively struggling a bit. Reorienting how I'm going about it a bit and just gonna make what I feel like making and figure out what fits after the fact. We'll see how it goes! This particular track doesn't totally fit the vibe, but I like it anyway! Started on the M8, recorded some improv and added FX in Ableton. 2026 Copyright All rights reserved

I‘m on vacation in Stockholm and tried to encapsulate my view of the city. All M8 + shitty online mp3 convertor 🙂🙃🙂🙃 2026 Copyright All rights reserved

my allergies make it really hard to come up with song ideas 2026 CC Attribution Share Alike (BY-SA)

This week I was listening to a lot of Ninajirachi again, and really liking the vibe of Infohazard. I started trying to make something that sounded similar on Monday, but changed the track throughout the week. I wanted to include some samples from Japanese horror movies, but couldn't find any so I just have a few clips of a woman saying the title of the track, "悪夢" (AKUMU), with a bunch of shakuhachi, koto, and bell samples. I also never really built this into the trance track I originally wanted to make, and kinda kept it as a weird atmospheric/ambient track (idk genres). Any feedback is appreciated. The cover art this week is... a weird looking mushroom in my backyard 👀 2026 Copyright All rights reserved

2026 Copyright All rights reserved

2026 Copyright All rights reserved

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

I had roughly 2 hours to work on this. Enjoy :) <3 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

I'm putting together a lil EP of the tracks I did for Modus Interactive's Super 10 Pin (link here https://store.steampowered.com/app/2383820/Super_10_Pin/ or here https://modus-interactive.itch.io/super10pin), and I am remastering tracks that are able to be remastered (I made the mistake of bouncing some of these tracks directly from hardware that I no longer have. Digitone 1, I might have missed you enough to buy the Digitone 2, but your presets saved to that file are lost to time like tears in for fears or whatever). Here's one such lightly remastered track as a little sampling! You may have heard it before or not. ALSO! I started a thread in the server about doing some free voiceover work if anyone wants. Nothing big, just some line read for you. Check it out. 2026 Copyright All rights reserved

Another dub techno jam on the modular. Might have overdone it with the rain sample here but eh, ship it. A little overcompressed too, buuut let's call it flavor. Monumatic on chords, Manis Iteritas on bass, Helical on pads. Nautilus and Starlab on space. Video: SoundCloud: https://soundcloud.com/jankyjams/no-margin 2026 Copyright All rights reserved

I feel like there is more to be explored in this track, especially the second part which feels like it lacks some of the energy built up by the first part. But i don't have more time this week so this will do for now. Still, I'm quite happy as it is. Feedback appreciated :) 2026 Copyright All rights reserved

2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Had too many ideas in this one, but stick around until 1:45 for an 8 bar banger, lol. Really pleased with those bars, but the rest, less so, haha. I started with the buses and instruments from last week and cranked up tempo, then things went off the rails a bit. :) Too many ideas, and unable to really fully develop the good ones I had in there. I really struggled with picking instrumentation this week, which is something I haven't had much trouble with recently. I got bored and used dBlue Glitch (2) for the first time in a ages. I'm also still mixing in a super noisy environment, got about another month of that, so sorry for the crappy mix, blehhhhhh. Anyways, enjoy! :D 2026 CC Attribution Share Alike (BY-SA)

I stepped back into Drum & Bass/Jungle this week to try out some different drum repeat/pattern break up options. After building out the initial drum loops, I decided to enhance the rest of the drums with patterns from ReDrum. After setting up the bass, pads, lead and an FX track, I set up the automations.  I built out the arrangement using blocks and added effects and mixed as I went along. After setting up the mastering chain, I exported the track. 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

Tracked, mixed, mastered in M8.  Finding new workflows and getting closer to a final before getting it into the box.  This has been what I learned more about through this challenge so far.  The closer your input is, the more you tweak instruments early to avoid clashes.  The more you pan and widen across L and R early, the less the grind is to get it to sound good in a mixing session.  When I started it was about double time cost b/c I would tweak for ages in studio, now it's good beginning with the end in mind.  Super happy with this.  Almost everything is hypersynth with a sprinkle of FM and linndrum/808 samples tossed in. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Fast techno to play WipEout to. It seems this week I've unintentionally synthesized the sounds of a drunk crow... while trying to make a cool squelchy acid bass sound. I was using my new Behringer MonoPoly, a clone of the Korg MonoPoly. It's a simple synth, very limited. But it's also kind of fun. I quite like that drunken parrot sound...not sure about the track though. There are some decent ideas in it. But I think it's a lacking a hook. And bass may very well over stay its welcome. But I've lost all perspective on this tune. Besides, we do need to keep the streak going. So you tell what you think of it. As always, any and all feedback is welcome. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)

Hi folks! I'm working this week-end on a preset pack for a software synth update, so I used it pretty much in this week track. I initially wanted to make a sad track because I'm sad, but eh, I made a rather sad track but with some energy in it, because life is strong. I hope y'all ok. Hard times, stay safe! 2026 Copyright All rights reserved

Crazy week for writing this week, which is good as I am stockpiling ideas ready for the birth of our second child at the end of the month - I will try my darnest to keep up the streak! Going back to a more full, involved arrangement and mix - trying to channel the almighty Phoebe Bridgers with the ambience, tape-y saturation and a Lossy-styled plugin called maim - designed to give an MP3 style bitcrushing effect... I'm not top sure I'm using it right! Enjoyed putting the acoustic down and going for a bigger sound - more of this to come! Thanks for any new listeners and commenters - your time and thoughts are always appreciated! Have a great week! Lyrics: You were right behind me and I just left You showed me you hand and I took the deck You told me your secrets I told you to leave it You would try talk to me But I'd play deaf Where do we go now What do we got? How can we built on what is not How are ever going to give this a shot When all that's left us apathy All that's left is you and me You were always chasing I would always run away You would always call me I wouldnt even say your name But you would always follow And I would always borrow The things that were not meant for me Where do we go now What do we got? How can we built on what is not How are ever going to give this a shot When all that's left us apathy All that's left is you and me You were always honest I was always faking You were such a giver You were there for the taking I knew Id always win you I couldn't face to lose What i knew was batter than me Where do we go now What do we got? How can we built on what is not How are ever going to give this a shot When all that's left us apathy All that's left is you and me Rewind Its right there The moment that it broke In time Ill learn Theres no fire without some smoke 2026 CC Attribution Noncommercial Share Alike (BY-NC-SA)

Sometimes, it's good to be proud. Proclaim to the world that which is true to you. Stand UP, and be counted - and join the party! Featuring overdubbed bass clarinet, frame drum, and shaker. 2026 CC Attribution Noncommercial No Derivative Works (BY-NC-ND)