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All Episodes

The Bulletproof Musician — 416 episodes

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Title
1

Joanna Fong-Isariyawongse: The Science of Sleep for Musicians

2

Paul Baxter: Why Bad Habits Keep Coming Back (And a Faster Way to Change Them)

3

Micah Killion: The One Thing Artist-Level Musicians Do Differently in the Practice Room

4

How to Start a Performance with More Accuracy (Without the Onstage Warm-Up)

5

When You Can’t Get Yourself to Start Practicing, Try This

6

The Central Strategy Expert Musicians Use to Practice Difficult Passages

7

How a Small Change in Self-Talk Could Improve Performance Under Pressure

8

A Learning Method That Outperformed Traditional Practice

9

How Much Perfectionism Do You Really Need to Succeed?

10

Pallavi Mahidhara: On Practicing for Flexibility, Not Perfection

11

What Happened When Musicians Slept 90 Minutes More

12

Why Being Too Quick to Offer Feedback Could Inhibit Learning

13

Fewer Repetitions….But More Rapid Progress?

14

Ida Kavafian: Habits That Separate Good Musicians from Great Ones

15

Can Memorizing Music Make You a More Expressive Performer?

16

Two Approaches to Memorization (Beware: One Could Leave You Stranded!)

17

A Hidden Reason You Forget Music on Stage

18

Jane Ginsborg: On Building Stronger and More Reliable Musical Memory

19

How to Use Focus Cues to Play More Freely on Stage

20

Is There Hope for the Most Anxious Performers?

21

How to Get Your Mind in the Right Place Before Going On Stage

22

Graham Fitch: On Playful Practice and Muscle Memory You Can Trust

23

Does Aiming for Perfection Actually Hurt Performance?

24

Could Performance Anxiety Be Causing Students to Quit?

25

Worried About a Performance? 4 Reasons Why (And How to Stop)

26

Double Your Practice Gains With a Nap?

27

Ignasi Cambra: On Learning, Memorizing, and Interpreting Music

28

Notes First or Music First? Which Leads to Better Performance?

29

A Way to Get More Useful Performance Feedback?

30

How to Unlock Your Students’ Hidden Practice Abilities

31

Judy Loman: On the Best Advice For an Aspiring Harpist (or Musician)

32

A Comparison of Three Approaches to Teaching Expressiveness

33

The Overlooked Skill That Could Make Performing More Enjoyable

34

How Do Effective Practicers Make the Most of Their Practice Time?

35

Do We Unconsciously Favor Talent Over Effort?

36

Cellist Yumi Kendall: On Becoming a More Positive (And Effective) Practicer

37

How to Keep Your Inner Critic From Getting the Better of You

38

Pre-Performance Apathy (and the Importance of Mentally Disengaging From Practice)

39

Your Brain Isn’t Built for Consistency - Here’s How to Make That Work for You

40

Mitch Abrams: On Trauma and High-Level Performance

41

Reward vs. Punishment: Which Leads to Faster Learning?

42

One Way Parents Can Help Their Kids Be Less Anxious

43

A Self-Talk Tweak to Boost the Odds of Achieving Your Goals

44

Linda Chesis: On Cultivating a More Beautiful Sound and Becoming a Better Practicer

45

Finding Your Optimal Anxiety Level: Why Calm Isn’t Always Better

46

The 70% Rule: Why Practicing Shouldn’t Be Too Easy

47

Sight Reading: The Ideal Error Rate for Optimal Learning

48

Why Practicing While Distracted Is Actually Very Important

49

How to Help Students Remember More From Each Lesson

50

How to Increase the Likelihood of Being Accepted by Others

51

Stumped by a Problem in the Practice Room? Try an “Incubation” Break

52

Perfect Shmerfect. Could More “Mistakes” Accelerate Learning?

53

Carolyn Christie: On Overcoming Nerves With Healthier Internal Dialogue - and Phrasing!

54

Can We Train Ourselves to Worry Less About Others’ Opinions?

55

What Causes "Choking" Under Pressure? And What Can We Do About It?

56

The Truth About Cramming: Why Your Brain Needs Breaks

57

Orli Shaham: On Overcoming Setbacks and Learning to Trust the Process

58

A Backward Strategy for Enhanced Goal-Setting Success

59

4 Approaches to Goal Setting (And Which Works Best)

60

Do Extroverts Make Better Performers Than Introverts?

61

Laurie Scott & Cornelia Watkins: On Going From the Stage to the Studio

62

Does How We Look On Stage Matter More Than How We Sound...?

63

Does Counting Our Blessings Really Change Anything?

64

An Easier Way to Get Better at Mental Imagery?

65

A Better Way to Do Mental Practice?

66

Not an Optimist? How to Make Pessimism Work for You.

67

Can Breathing Really Help Reduce Anxiety? Or Is It Just a Cliché?

68

Go From Procrastination to Productivity With “Temptation Bundling”

69

A Better Way to Bounce Back From Disappointing Setbacks

70

Why Giving Students Choices Could Dramatically Enhance Learning

71

What Are Audition Committees Really Listening For?

72

The Best Time to Exercise for Maximizing Practice Gains

73

How Important Is It Really to Practice Every Day?

74

Improve Coordination With Opposite-Side Practice

75

Nathan Cole: Lessons From 20 Years of Concertmaster Auditions

76

An Ironic Strategy to Stay Calmer and Avoid Rushing on Performance Days

77

How Teachers' Expectations Can Shape Students' Learning & Performance

78

How Much Do Positive or Negative Expectations Affect Performance?

79

How to Keep Music Feeling Fresh Through Repeated Performances

80

Is It Really so Bad to Frown After Making a Mistake?

81

What’s the Optimal Practice-To-Rest Ratio?

82

Is There a Way to Make Self-Imposed Deadlines Work?

83

Does Listening to Music Benefit the Music Learning Process?

84

A Better Way to Learn, Teach, and Perform New Skills?

85

Is It Better to Perform With Eyes Open or Closed?

86

A Teaching Method That Creates Smarter Practicers

87

The Subtle Habit That Might Be Undermining Your Confidence

88

Learn More Effectively with This Lesser-Known Mindset Shift

89

Are You the “Good” or “Bad” Kind of Procrastinator?

90

Why Practicing for Consistency May Be Less Effective Than You’d Think

91

Are Great Sight-Readers Born or Made?

92

Michael Bridge: On Cultivating Expressive (vs Impressive) Virtuosity

93

How Much of an Effect Does Hydration Have on Practice & Performance?

94

Feel Like You’re Getting Worse? Here’s Why That May Not Just Be Your Imagination.

95

An Unconventional Way to Enhance Your Focus in the Practice Room

96

Frank Almond: On Work, Fun, and the Importance of Both in Dealing with Adversity

97

How the Wrong Kind of Praise Could Increase a Student’s Feelings of Shame

98

Can We Learn Faster by Thinking Less?

99

To Play More Accurately, Change Your Focus?

100

Why Good Ensemble Playing May Require More Than Just Your Ears

101

A Gentle Way to Help Kids (or Adults) Build Performance Confidence?

102

A Simple Strategy for Reducing Worries and Practicing With More Focus

103

Why the Wrong Kind of Praise Could Heighten a Student's Fear of Failure

104

Do You Have a Bias Against Creative Students (Without Realizing It)?

105

Steven Tenenbom: On Rhythm, Phrasing, and the Life Within Each Note

106

Can Good Luck Charms and Superstitious Rituals Enhance Performance?

107

A Simple Technique to Prevent Choking (Which Sounds Like it Couldn’t Possibly Work)

108

WOOP: A Better Way to Set Goals?

109

How Important Is It to Write Down Your Goals?

110

How Important Is “Perfect Practice” When Learning Something New?

111

Why It's Important to Identify (and Use) Your "Signature Strengths"

112

Jason Shafer: On Healthier Practicing & Strengths-Based Performing

113

A Mindset Shift That Can Help You Respond to Setbacks With Even Better Performances

114

Reduce Burnout With a Simple Three-Step Exercise

115

The Best Way to Breathe for Reducing Stress?

116

The Best Thing to Listen to Backstage for Reducing Anxiety?

117

Benjamin Kamins: On Self-Judgment, Slow Practice, and Reed-Making

118

Why Lowering Standards Can Sometimes Promote Better Learning

119

“Brain Fatigue” and the Best Thing to Do on Practice Breaks

120

Why Reflection Should Be Part of Your Daily Practice Routine

121

How to Practice for More Consistent Performances

122

Christine Carter & Ellen Hendriksen: On the Perils of “Perfect Practice”

123

Are Today’s Musicians More “Clone-Like?"

124

Why Practicing Too Much Could Actually Increase Errors

125

How Consistent Do Pre-Performance Routines Need to Be?

126

The Surprising Truth about Learning Styles

127

Difficulty Staying Focused While Practicing? Why “Airplane Mode” May Not Be Enough

128

A Hack to Boost Your Practice Efficiency

129

On Building an Audience in 2023: Ken Kubota & Morgan Davison

130

When Is the Best Time to Start Memorizing a New Piece?

131

The "Lazy" Person’s Guide to Mastering Self-Control

132

Two Things Experts Do Differently When Practicing

133

On Building an Audience in 2023: Sumina Studer & Drew Forde

134

How to Make Practicing Feel Less Like a Chore

135

Self-Compassion: Does It Help or Hurt Performance?

136

Why Singing Could Enhance Your Daily Practice

137

For More Effective Practice, Try…Longer…Pauses

138

George Waddell: On the Hidden Consequences of Music Competitions

139

How to Make Mental Practice Even More Effective

140

The Superiority of Intentionally Imperfect Practice?

141

Menahem Pressler: On Following Your Heart

142

How to Find the Perfect Strings for You and Your Instrument

143

How to Learn Better From Failures (And Successes Too)

144

“Productive Failure”: Why Early Floundering Leads to Better Learning

145

Why Improvisation Should Be Part of Every Young Musician's Training

146

Two Ways to Simulate Performance Pressure (and Which Works Best)

147

​Aaron Williamon: On Becoming a Better, Happier, and Healthier Musician

148

How Intentional Errors Could Accelerate Learning

149

How to Stay in a More Positive Headspace Before Performances

150

Get Unstuck in the Practice Room With a “Creative Pause”

151

Hans Jørgen Jensen: On Practicing With the Mind, Not Just the Fingers

152

How to Give Students Critical Feedback Without Crushing Their Confidence

153

How to Minimize Intrusive Thoughts When You’re Practicing

154

Boost Learning and Performance With Naps, Not Coffee!

155

Robert Duke: On the Value of Errors, and How Learning Really Works

156

19 Things That Great Teachers Do

157

How the ‘Gift’ Reframe Could Enhance Performance

158

How to Nail Shifts and Big Leaps More Consistently

159

How to Keep Anxiety From Spiraling, on Stage and Off

160

The Best Type of Goals for More Success in the Year Ahead

161

A Clever Practice Hack to Make Practicing More Enjoyable

162

The Problem With Intense Laser-Like Focus in the Practice Room

163

Why a Little Self-Doubt Before Performing Could Be a Good Thing

164

Jennifer Montone: On the Unspoken Mental and Emotional Aspects of Being a Musician

165

Why Telling Yourself to “Calm Down” Backstage May Be Counterproductive

166

Why Trying to "Think Positive" All the Time Could Make You Feel Worse

167

Kim Laskowski: On Developing a Beautiful Expressive Sound and Teaching Yourself How to Learn

168

How Important is Listening to Recordings, Really?

169

The Practice Strategy That Could “Bulletproof” Your Memory Under PressureThe Practice Strategy That Could “Bulletproof” Your Memory Under Pressure

170

A Better Way to Do Mental Practice

171

The Problem With Time and Repetition-Based Practice Goals (And What to Do Instead)

172

When is the Optimal Time to Start Doing Performance Practice?

173

What Is More Effective for Learning - Praise or Criticism?

174

Is It Possible to Increase Your “Immunity” to Nerves? The Research Suggests Yes - And Here’s How to Do It.

175

Wish You Could Memorize Better? Why a Little Bit of "Verbalization" Might Be the Missing Ingredient.

176

David Juncos & Elvire de Paiva e Pona: On ACT and a New Approach to Overcoming Performance Anxiety

177

Optimizing Practice: 2 Things That the Best Performers Do & 1 Thing That the Best “Improvers” Do

178

Why Ear Training Might Matter More Than You Think

179

Two Helpful Things to Think About on Stage, Right Before You Start Playing

180

If You Have Difficulty Staying Focused While Practicing, Could Clutter Be a Factor?

181

Memory Reconsolidation: A Way to Dump Your Negative Audition and Performance Baggage?

182

Three Ways to Teach Students How to Play More Expressively (Is There a “Best” Way?)

183

How Making Mistakes Can Accelerate Learning

184

The Two Most Efficient (and Two Least Efficient) Memorization Strategies

185

Brian Alegant: On the Difference Between MUSIC Theory and Music THEORY

186

Why Your Playing (or Singing) Tends to Become Less Musically Expressive on Stage

187

Do the Best Performers Also Provide the Best Advice?

188

Why Thinking Out Loud Could Help You Become a More Efficient Practicer

189

Peter Keller: On Becoming More Skilled Ensemble Musicians with Insights from Cognitive Science

190

An “Awkward” Way to Increase Motivation and Make More Progress Towards Your Goals

191

How to Clear Your Mind of Worries Before a Big Performance (revisited)

192

Evidence That Performing From Memory May Be More Challenging for Pianists Than Others (What?!)

193

Do You Struggle With Unreliable Memory on Stage? Perhaps Your Memorization Strategy is Missing This Key ingredient...

194

Keith Underwood (Part 2): On Breathing and the Problem With Thinking of Air as the Solution to Everything.

195

Keith Underwood (Part 1): On the Art of Imitation, and How to Glean Transformative Insights From Great Musicians to Level Up Your Playing.

196

How Mental Imagery Can Help You Become a Better (Or More "Psychic") Chamber Music Partner

197

How Does One Learn to Play More Musically?

198

Do We Really Sound as Terrible on Stage as We Sometimes Think We Do?

199

"Quiet Eye": A Technique to Enhance Performance When You're Nervous

200

Prone to Procrastinating? Why the Way You Set Deadlines Could Make Things Worse, Not Better.

201

Having a Bad Practice Day? Turn It Into a Good One With This 3-Step Self-Coaching Technique.

202

Adina Mornell: On Learning How to Practice in Such a Way That Performing Can Be Something We Enjoy, Rather Than Fear

203

How to Get Your Brain to Do More Learning BETWEEN Practice Sessions

204

How to Get Yourself to Practice When You Don't Feel Like It

205

Why You Get Sucked Down the YouTube Rabbit Hole When Practicing (And How to Prevent This Without Having to Break Up With YouTube)

206

Joshua Weilerstein: On a Conductor’s Journey, and Why It Might Be Awesome if Every Musician Spent a Day in a Conductor’s Shoes

207

Research-Tested Practice Strategies That Will Help You Learn New Pieces Faster

208

How the Things You Say to Your Students Can Change the Positivity (Or Negativity) of Their Inner Voice

209

Does Perfectionism Really “Kill” Creativity? If So, What’s the Alternative?

210

A Practice Strategy That Could Potentially Be Twice as Effective as Regular Practice?

211

How to Be a Little More Awesome in 2022? Try These Top Tips and Insights From 2021.

212

Why Practicing Practicing from an Early Age is So Important

213

Two Approaches to Memorization - One of Which Can Leave You Lost and Stranded if You Rely on It Too Much!

214

Not Sure How to Do Mental Practice? Here's a 7-Point "How-To" Guide

215

Kristian Steenstrup: On Singing, Solfège, and Cultivating a More Efficient Approach to Learning New Music.

216

Struggling to Get a Tricky Passage up to Tempo? Why Slow, Accurate Practice May Actually Be the Problem.

217

Evidence That Too Much Consistency in Practice Could Potentially Hinder the Learning Process (What?!)

218

Why Too-Short Practice Breaks Could Undermine Your Learning

219

Vivian Hornik Weilerstein: On Listening, Leading, and Learning How to Be More in Sync With Your Music-Making Partners.

220

How Do Experts Get Even Better? 5 Lessons From the Practice of Expert vs. Intermediate Athletes.

221

What to Do When Everyone Thinks You're Great - But You Feel Like a Failure

222

If We Want to Maximize Learning, is It Better to Focus on Our Failures? Or Our Successes?

223

Evidence That Listening to a Recording Could Accelerate the Learning Process for New Repertoire

224

Merry Peckham: On Rehearsing, Performing, and Growing as a Musician (And Person!) in Chamber Music

225

A 5-Step Strategy for Enhanced Motor Skill Learning (Especially if You're an Older Learner!)

226

Having Difficulty Turning Off the Worries? Here Are the Strategies That Research Suggests May Work Best.

227

Feeling a Bit Down and Unmotivated? This Motivation Hack Might Help You Get More Done and Perk Up a Bit.

228

Daniel Matsukawa: On Cultivating a Great Sound, and Three Components of Becoming a Better Practicer

229

Difficulty Getting to Sleep? Try “Serial Diverse Imaging” - a Crafty Way to Trick Your Brain Into Going to Sleep.

230

Wish You Could Be Less Stressed on Concert Days? Try This Unexpected Activity, Used by an Olympic Gold Medalist (and Grandmothers Everywhere 🙂)

231

Adequate Learning Vs Overlearning: How Many Repetitions Is Enough?

232

Two Things Experts Do Differently Than Non-Experts When Practicing

233

Ann Bergeron: On Facilitating a More Positive Learning Experience, More Effective Skill Acquisition, and More Creative Artists

234

A Simple Practice Scheduling Hack That Couldn’t Possibly Be as Effective as It Seems

235

Why Thought Stopping Doesn’t Work (And the Paradoxical Strategy That Might Work Better)

236

Evidence That You Should Probably Be Taking Practice "Micro-Breaks," if You Want to Maximize Learning.

237

Natasha Brofsky and Roger Tapping: On Learning New Repertoire and Getting to Know a Composer’s Unique Language

238

Can’t Stop Worrying About an Upcoming Performance? Here’s Why Practicing More Might Not Be the Answer.

239

What’s the Best Type of Feedback to Provide, if the Goal Is to Increase Students’ Intrinsic Motivation?

240

Forget White Noise. There May Be a Better Type of Noise That Could Potentially Enhance Memory While You Sleep.

241

Lori Schiff: On Adapting to Remote Instruction, and Learning to Teach Alexander Technique Online

242

Which Is Better - A Verbal Pep Talk or a Visualization Pep Talk?

243

A Test of Three Practice Schedules, and the One That Works Best (Especially for Older Learners)

244

Need to Work on Shifting or Leaps From One Note to Another? Here’s How Mental Practice Could Help.

245

The Kantor Family: On Being Effective Music Parents to Musical Children

246

Finals Coming Up Soon? Here’s Why You Shouldn't Just Read and Review Your Notes.

247

Is “Perfect” Practice as Essential a Thing As We Tend to Assume It Is?

248

Having Difficulty Moving Past a Particularly Distressing Audition or Performance? “Just Think Positive” May Not Be the Best Strategy...

249

Does the “Memory Palace” Strategy Really Work? And Is It Something Musicians Could Use?

250

Evidence That Most of Us Are Terrible at Knowing When to End Conversations

251

“Zoom Fatigue” - Why It Happens, and a Couple Things You Can Do About It

252

A Simple Writing Exercise That Could Help You Perform More Confidently

253

Astrid Schween: On Cultivating Routines, Curiosity, and 800 Different Spiccatos

254

How NOT to Support a Student Who Is Struggling (and What TO Do as Well)

255

Want Your Students to Be More Engaged, Take More Risks, and Get Better Grades in Class? Here’s Why Your Mindset Matters.

256

Specific Times When Smart Goals Can Be Counterproductive (and What Strategy to Use Instead)

257

Kris Chesky: On Hearing Health, Earplugs, and How the Best Strategy for Protecting Young Musicians’ Ears Might Help Them Become Better Musicians Too

258

Does a Musician’s Physical Movements and Gestures Affect How Musical We Think They Are?

259

How to Cultivate Better Rhythm and Avoid Clipping Notes (and Rests) Short

260

For Better Rhythm and Timing, Count With Your Body Too, Not Just Your Mind

261

Stressed and Having Difficulty Getting Out of a Negative Thought Spiral? Here's How (and Why) Mother Nature May Be Able to Help

262

Make Practicing in 2021 a Little More Effective With These Top Tips From 2020

263

A Better Way to Present Ourselves on Social Media? A Simple Adjustment for Improved Mood and Greater Well-Being.

264

Regular Bragging vs. Humblebragging: Which Works Better?

265

Need a Break? Here’s a Simple Way to Boost Your Mood and Feel More Refreshed After a Long Week of Practice.

266

David Leisner: On Overcoming Focal Dystonia and Learning to Play With Ease

267

Toby Appel: On Learning to Trust Yourself

268

How Effective Is Mental Practice for Memorizing New Pieces?

269

Stressed, Anxious, and Feeling a Little Burned Out? Here’s How an “Awe Walk” Could Help.

270

Bob Fisher: On What It Takes to Become Great at Something and Set Multiple World Records (at Age 50+)

271

Having Long-Term Goals Is Important, but Research Suggests That We Should Enjoy the Little Things Too

272

Have a Tendency to Play “Too Safe” Under Pressure? Here’s a Daily Habit That Could Help You Play More Fearlessly on Stage.

273

A Counterintuitive Way to Build Confidence, a Tiny Bit Each Day

274

Jason Sulliman: On Why Fast, At-Tempo Practice Can Be More Efficient and Effective Than Slow Practice

275

How Using Social Media Apps Before Practicing Could Sabotage Practice Quality (and Performance) Over Time

276

What Does the Research Say About Having a Couple Drinks Before Performing?

277

8 Things Top Practicers Do Differently

278

Minna Chung: On the Mysteries of Intonation and a Few Things We Can Do to Play Better in Tune

279

How Many of Our Mistakes Do Audiences (and Other Musicians) Actually Notice?

280

Handling Conflicts in Ensembles: A Few Things We May Be Able to Learn From the Research on Marital Satisfaction...?

281

Is This Really a Significant Factor in How We Choose Our Teachers and Mentors?

282

Why It May Be Useful to Laugh a Bit More in the Months Ahead

283

Stephen Hough: On the Question “Is Memorizing Music Really All That Important?”

284

How to Keep the Critic in Your Head From Wrecking Your Practice Session

285

Why the Progress You Make in the Practice Room Seems to Disappear Overnight - PART 2

286

An Email Hack That Could Increase the Likelihood of Getting a Reply (and Possibly Make the World a Slightly Better Place for Everyone Too)

287

Jason Haaheim: On “Deliberate Lessons” and How to Become a Better Teacher to Yourself

288

3 Questions to Ask Yourself That Could Boost the Effectiveness of Your Next Practice Session

289

Having Difficulty Motivating Yourself to Practice? Research Suggests That Copycatting a Friend Could Help.

290

Evidence That You're Probably Not Great at Performing and Critiquing Your Performance at the Same Time

291

Christian Howes: On Overcoming Improvisation Anxiety, Making Technical Practice More Creatively Satisfying, and Becoming a Better Friend to Yourself

292

How the Things You Think about Backstage Could Carry over into Your Performance

293

How to Talk to Yourself When You’re Having a Bad Practice Day (or Week)

294

Having Difficulty Believing in Yourself? Here’s a Confidence-Building Technique That Doesn’t Feel Like You're Lying to Yourself.

295

Struggling with Practice Apathy? You Might Be Neglecting “Psychological Rest”

296

Howard Nelson & Pamela Frank: On Recovering from Injury, the Importance of Being Non-Judgmental, and Practicing with 1000% Expression

297

Sarah Lewis: On Thinking Useful Thoughts, Gratitude, and the Challenge of Juggling Auditions and a 3-Month Old

298

Amanda Blaikie: On Believing in Yourself, Letting Go of Attachments, and Giving Yourself Permission to Be Kind to Yourself

299

Caroline Coade: On Being Flexible and "Practicing to Bulletproof”

300

A Mental Time Travel Technique That Could Reduce Anxiety and Enhance Performance

301

Molly Gebrian: On Efficient, Effective, and Reliable Memorization Strategies for Musicians

302

Nicole Newman: On Using Yoga to Develop Sustained Focused Attention, and Practice Getting into the Zone

303

Tim Topham: On How to Maximize Your Effectiveness When Teaching Lessons Online

304

Targeted Memory Reactivation: A Hack to Improve Learning During Sleep?

305

Lynne Aspnes: On Breathing, Singing, and the Value of Cultivating a Diverse Range of Musical Influences

306

What Does Science Say About the Notion That We Don't Utilize Our Full Potential?

307

Fact or Myth: Does Thinking “Don’t Miss” Really Make Us More Likely to Mess Up?

308

How to Get Better at Detecting Errors - Especially If They’re Hiding in Plain Sight

309

The Mindsets That Make It Easier (and Harder) to Bounce Back from Mistakes Mid-Performance

310

Jennifer Johnson: On Learning to Play More Effortlessly, Through a Better Understanding of the True Design of Your Body

311

Is Videotaping Yourself Worth the Time and Trouble? And If Yes, How So? (Part 2 of 2)

312

Is Videotaping Yourself Worth the Time and Trouble? And If Yes, How So? (Part 1 of 2)

313

Mental Practice Not Working for You? This Might Be the Reason Why…

314

Nathan Hughes: On Being Honest in the Practice Room, and Learning How to Balance Being Analytical and Being Expressive

315

Structured Vs. Free Practice: Why You Probably Shouldn’t Just Be “Winging It” in the Practice Room

316

How Do Fear, Anxiety, and Other Negative Emotions Affect the Learning Process?

317

Musical Charades: Should This Be Part of Your Regular Practice Routine?

318

Erik Ralske: On Developing a Stronger Internal Pulse, and the Paradoxical Benefits of Giving Yourself Permission to Miss Notes

319

How Long Does It REALLY Take to Form a New Habit?

320

Phonetography: Does This Enhance or Diminish Our Enjoyment of an Experience?

321

The Misinterpreted-Effort Hypothesis, and Why We Often Practice Less Effectively than We Could

322

Mike Block: On Discovering Your Musical Identity, “Exploratory” Practice, and Taking Creative Risks

323

Why Highly “Representative” Practice Is so Important (Except When It Isn’t)

324

Change This One Word to Get More Useful Feedback From Peers and Colleagues

325

Can Young Students Be Taught to Engage in Deliberate Practice Too?

326

Angela Beeching: On the Keys to Developing a Career That’s Totally “You”

327

Quirky Pre-Performance Rituals: Do They Really Work?

328

Get into a Better Pre-Audition Headspace with a "Heroic" Playlist

329

Why the “Task Completion Bias” Could Give You the Illusion of Productive Practice, but Make You Less Productive in the Long-Term

330

A Simple Technique That Could Help You Give Better Advice to Your Students

331

Claire Stefani: On Chinrests, Shoulder Rests, and How the Right Setup Can Facilitate More Effortless, Tension-free Playing

332

How to Use Positive “Trigger Words” for More Expressive Performances

333

The “Gesturing Effect": A Way to Learn New Skills More Quickly?

334

How Many of Our Worries Actually Come True?

335

Blaise Dejardin: On Emotion, Technique, and the Kind of Practice That Facilitates Consistently Beautiful Performances

336

Your “Stress Mindset,” and How This Could Make Stress Work For or Against You

337

Why Day-of-Performance Butterflies May Actually Be a Good Thing

338

"Action Observation," And How to Get More out of Your Mental Imagery Practice

339

Tom Hooten: On Being Curious, and Elevating Learning and Growth Above Ego

340

How to "Reset" Your Body Clock and Shift Your Peak Performance Window (& Thrive in AM Rehearsals)

341

Are Coffee Naps Legit?

342

The Role of Self-Compassion in Overcoming Setbacks and Cultivating Mental Toughness

343

Conflicted Between Two Different Choices? Here’s a “Random” Way to Accelerate the Decision-Making Process.

344

Uri Vardi: On the Way Unconscious Habits Shape Our Playing, and How Feldenkrais Can Help Us Unlock More of Our Potential

345

Self-Monitoring, and How “Happy Face” May Have Been a More Potent Practice Strategy than I Realized…

346

Three Different Types of Practice Strategies - Which One Works Best?

347

A Way to Amplify (or Weaken) the Effect of Self-Talk on Performance

348

Menahem Pressler: On Following Your Heart

349

A Goal-Setting Tweak That Could Be the Difference Between an OK Performance and a Great Performance?

350

How Exaggerating Technical Errors Could Improve Your Technique

351

Should Phones and Laptops Be Banned in the Classroom? Or Is This Just Much Ado about Nothing?

352

Margo Drakos: On Creating a Safety Net and Taking a Chance on Yourself

353

Why Learning the Wrong Way to Play Could Enhance Performance (and Confidence Too)

354

The Potential Upside of Having a "Rival"

355

How to Keep Your Cool Backstage Before Auditions and Performances

356

8 Strategies for Breaking Out of a Performance Slump

357

Catherine Cho: On Developing Great Rhythm (and Why Old-School Metronomes Are the Way to Go)

358

The Performance Post-Mortem: A Review Process to Bounce Back Better and Faster

359

A Visualization Hack to Get More Out of Your Mental Practice

360

A Mental Tweak to Reduce the Gap Between Your Best Playing and What Happens Under Pressure

361

David Kim: On Letting Go and Being Yourself

362

A Scientific Rationale for Keeping Photos of Friends and Family in Your Case

363

Get Into "The Zone" More Frequently with This Subtle Mental Adjustment

364

A Comparison of Two Types of Anti-Choking Strategies

365

Lori Schiff: On How Alexander Technique Can Enhance Learning and Performance Under Pressure

366

How Perfect Does Your Intonation Have to Be?

367

Does Focusing on Musical Expressiveness in Performance Come at the Expense of Technical Precision?

368

A Mental Shift That Could Help You Produce a More Beautiful Sound on Stage

369

Can’t Shut Off Your Brain and Get to Sleep? This 5-min Exercise Could Help.

370

Mark Kosower: On Learning Music, Slow Practice, and the Kind of Focus That's Associated With His Best Performances

371

A "Backwards" Strategy for Cultivating More Passion about Music You're Not in Love With

372

Should You Be Using a Metronome When You Do Mental Practice?

373

Why Worrying about Shaky Bow Just Makes Things Worse (and What You Could Focus on Instead)

374

Jason Haaheim: On Practice, Talent, Motivation, and Playing the "Long Game"

375

How to Minimize Jet Lag and Perform Your Best When Crossing Multiple Time Zones

376

Do Other People Really Learn As Quickly As It Seems Like They Do?

377

2 Ways to Shrink the “Intention-Behavior Gap,” Improve Your Follow-through, and Get Things Done

378

Jay Larranaga: On Becoming the Best Version of Yourself That You Can Be

379

Why an “Improvisational Mindset” Could Be Vital to Reducing Performance Anxiety and Increasing Audience Engagement

380

How a Post-Practice Workout Could Help Boost Learning and Retention

381

Do Classical Musicians Get More Nervous Than Non-Classical Musicians? (And If so, Why?)

382

8 Strategies Musicians Use to Create Their Own Unique Interpretation of a Piece

383

Nathan Cole and Akiko Tarumoto: On Practice, Lifelong Learning, and Balancing Life With Work and Audition Preparation

384

Have Difficulty Staying Awake During Mental Practice? Try "Dynamic" Mental Imagery Instead! Have Difficulty Staying Awake During Mental Practice? Try "Dynamic" Mental Imagery Instead!

385

The Correct Way to Sit in a Chair (and How This Could Help Your Performance in More Ways Than You’d Think)

386

An Easy-to-Overlook “Hack” for Enhancing Concentration in the Practice Room

387

Carol Rodland: On Learning to Work with Your Body, Not Against It

388

The “Urgency Effect” and How to Prioritize More Effectively in the Practice Room

389

Does It Help (or Hurt) to Have Friends and Family in the Audience?

390

Perform Better Under Pressure with This Subtle Adjustment to Your Self-Talk

391

Julie Landsman: On Getting into the Zone and Developing Trust in Your Playing

392

Research Suggests That While Mental Practice Is Good, This Hybrid Approach Is Even Better

393

What's the Most (and Least) Helpful Thing to Text a Friend Before Their Audition?

394

Janet Horvath: On Preventing Overuse Injuries and Playing Pain-Free

395

A Better Way to Teach Complex Skills, Borrowed From…Doggy Training?

396

Listening to Music While Studying: Ok or Not Ok?

397

Memorize More Music by Remembering to Press "Pause"?

398

Rob Knopper: On Overcoming the Fear of Recording Yourself (and Making It Your New Favorite Practice Tool)

399

“Mistake Rituals” and Why it's Important to Prepare for On-Stage Surprises

400

Does Stress Make Us More Susceptible to Injury?

401

Creativity Sounds Important…but at the Elite Level, How Valuable Is It Really?

402

Peter Miksza: On the Overlooked Value of Improvisation in Musical Training

403

Jeff Huber: On Preparing Mentally for Competition

404

A Childhood Pastime That Could Help You Reduce Stress and Manage Audition-Day Nerves

405

Can We Really Trust Our Intuition When Making Difficult Decisions?

406

Two Different Kinds of Nerves? How One Type Helps and the Other Type…Not so Much

407

Could This Working Memory Exercise Help Offset the Effect of Nerves on Performance?

408

Stereotype Threat: The Paradox of Becoming Exactly What You’re Trying to Prove That You’re Not. (Huh?!)

409

Need a Little Shot of Optimism? Try the "Best Possible Self" Exercise

410

Can We Train Ourselves to Be Less Anxious?

411

Just Thinking You Don't Have Enough Time (Even If That's Not True) Negatively Affects Performance

412

Power Posing vs. Yoga. Yay or Nay?

413

How to Keep Your Cool in Stressful Lessons, Rehearsals, and More

414

Why Do We Have Such a Hard Time Accepting Compliments?

415

The Problem with Taking Excessively Long Practice Breaks

416

Why It’s Probably Not a Good Sign If Practicing Starts to Feel Easy